Europe, Life Skills, South America, Traveling

Nadie Te Quita Lo Bailado

I never realized how much I shop while traveling until I found myself in the sweet little village of Villa de Lleyva, in the Colombian hills. It is a busy weekend destination from Bogota, and I was there during the week, trying to shed The Terror. The shopping was drool-inducing, but my hands were tied: I had an over-full pack, and six months to go before home.

I love giving presents. Though I am famous in my family for hiding one last Christmas present until long after everyone else has finished opening their loot, I’m also known for going a little overboard on the present-giving. It’s not just Christmas. It’s anytime I find something someone I know will like, or has been longing for, or even better will adore even though s/he doesn’t know it’s out there. It’s such a little thing, and the exchange may be material, but the gift is the joy that it brings the recipient, not the object itself.

In the past, I have returned from journeys abroad with presents for my family from the trip, and then gifted them again for their birthdays or holidays with items also bought abroad, socked away until the proper occasion. At some point, I realized I could buy them each just one present on my trip, and gift it at the appropriate occasion, reducing my expenditures and the weight of my pack. My sisters took notice, but a raised eyebrow ended their protest.

Those cobblestone walkways in Villa de Lleyva come back to me now in Sevilla, wanting again to buy a piece of a country and take it home with me. In Colombia, native textiles combined with leather into the most fantastic purses I’d ever seen. Thick, soft wool had been knit into cowl-necked sweaters that could cuddle my sisters through the most vicious of winters. And the jewelry….But it had to be left behind.

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When you can’t shop, what are you taking home with you? Memories. What happens when those memories get confused, and begin to fade? Where was I when I kept getting turned around and winding up in the same marketplace block, with heat bearing down on the smell of the wet market, over and over again? I had to think on this one for 30 minutes to recall it was Cartagena.

In what town did I stay briefly where they had a daily market that I kept failing to make it to, only to happen upon its afternoon remnants on my last afternoon in town? I’ve been thinking about it for two days now, and I can’t remember. But I can still see the empty stalls being broken down on a dusty street, cars again pushing through as they cleared.

Where is the fancy Italian paper store that I am so dead -set on finding again here in Sevilla? I was sure it was on Calle Serpientes, but I’ve walked it four times now to no avail. I don’t even need paper; I just loved that place so much, I wanted to go back.

I took 47 planes, six trains, nine boats, four buses, a couple scary 4WD trips and countless bike, subway, taxi and tram rides on my way round the world in 180 days. I was so alert that each of them has a memory attached to it, but the further I get from each, the more I dip into ‘normal’ life (let’s be honest, this life I’m living now is far from normal), the blurrier the memories get. Misty water-colored memories indeed. If I’m not buying things, and the memories get blurred as time goes by, what do I have left of this marvel of a life I’ve adventured through?

It’s a sentiment. It’s a sensation. It’s a sense memory that lingers in body, muscle, mind and heart, the feeling of it all being new, unknown, still ahead. It’s the knowledge of having done it (for the first time, differently than I will do it the next time). It’s the thrill that comes back, if just for a moment, when I remember climbing to the top of the monastery in Petra and looking out over the valley, or biking through rice paddies in Vietnam, or standing at the base of a glacier in Patagonia. Like muscles, the memory must be exercised to remain strong , so I recall it occasionally, with a glimpse at a picture, a pause of breath, a closure of eyes, to pull myself back to that moment that no one can take away. It is just what a friend said to me before I left, when I worried what would happen when I came back. “Nadie te quita lo bailado.” Nobody takes away from you what you’ve danced.

On top of the monastery in Petra

On top of the monastery in Petra

Asia

An Unquiet American

I consider myself a patriot. I shun jingoism and frequently voice discontent with my mother country, and appreciate that I am allowed to do so specifically because I’m a citizen of the United States.

Patriotism isn’t blind. “Love it or leave it,” a refrain I have actually heard in conversation, is a simplistic approach to something as complex, diverse, young, and unsettled as the United States.  I am not a patriot because I believe the US is better than every other place on earth; I am a patriot because it is my place. I accept its flaws like I try to accept my own, and just as I do with myself, try to improve what I can. In fact, part of what made me get up and see the world was the sensation that I had given up on us: I had disengaged from the act of improving my community, challenging my leadership to do better, or encouraging my country to rise above….well, everything. I was stuck in a rut of ‘oh well,’ and I needed to climb up out of it.

Being a patriot makes Vietnam a complex destination for an American. It isn’t a playground like Thailand, or a temple-stunned wander like Cambodia. It is a walk through an unresolved part of the American psyche, brought to life in the landscape in front of you.  Every time I looked at a row of rubber trees or the magnificent islands rising out of Bai Tu Long Bay, I felt like John Cleese in the episode of Fawlty Towers in which the Germans are coming: I couldn’t not think about the war. I couldn’t not see American planes lighting up the horizon with napalm. I couldn’t not feel guilt.

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But guilt is simple; Vietnam is complex. The Communists have infused Vietnam with their own brand of patriotism. You don’t even have to ask the question, and you will get the same party line. “We like Americans. We don’t blame them for the war. We blame the imperialist American government.” It’s the same rhetoric William Broyles got in 1983, when he went back to visit the Vietnam he had fought in, a trip he wrote about in Goodbye Vietnam. It is still being used today, by people wearing North Face jackets and New York Yankees hats.

It isn’t that Vietnamese don’t have opinions. It’s that there are few ramification-free opportunities to express them. As a result, you get a party line of behavior, not just speech.  On my way to visit the Ho Chi Minh mausoleum, I found my map indicated I could walk through what turned out to be a defense department complex, closed to lay people.  While I was still ten feet from the guard I wanted to approach for directions, he pointed his finger at me, said, “YOU!,” clapped his hands twice and then crossed his forearms over his chest in an x, indicating I was not to pass down this road.

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A firm believer in tourism diplomacy, I suppressed the temptation to laugh at such an out-sized gesture and  kept walking toward him. He repeated his pantomime twice, and when I got close enough to speak to him and gesture – this way? That way? – he looked over my head, refusing to acknowledge my request – or my presence.

In America, publicly at least, we are raised to believe our opinions matter. It’s why tourists who get themselves in trouble are famous for saying, “you can’t do this to me, I’m an American!”  The instinct shouldn’t be that we are Americans and therefore entitled to better treatment; the instinct should be that we are human, and entitled to equality. All of us share this innate desire to be respected and heard. Communism takes the notion of equality far beyond balance to a point where there is no ‘one’s’ opinion; there is only the party.

The Vietnam War is of course not called the Vietnam War in Vietnam. It is, “the American War of Aggression,” or, “the Struggle for Unification of Vietnam.”  While everything from museum placards to memorial brochures is hyperbolized  ad-nauseum in defense of the Mother Country, it is impossible to deny the basic validity in the point of view, and in looking at the experience from the other side.

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At the same time, the propaganda is infuriating. And unsettling. As someone  who wants facts in order to form my own opinion of a situation, how am I to determine what is real, and what is wording? If there is a continuum of truth with the NVA on one end and the US on the other, what lies appropriately in the middle ground?

Each site visited, each conversation, is an exhausting dissection of words and ideology, with no final verdict as to the accuracy of any hypothesis.  You can visit the Hanoi Hilton, and most of what you’ll see will be about the French colonial oppression of the Vietnamese. At the end  you will see two small rooms about captured American pilots playing ping pong, decorating a Christmas tree, and going to church. You won’t see the beating Edwin Shuman took when he fought to get the right to Sunday worship.

So what is an unquiet patriotic American to do with all of this?

Become still. Allow it in. Stand on a corner and watch the million mopeds zooming by. Watch the elderly exercising by the Lake of the Returned Sword, and the young people canoodling in its parks. Don’t be tempted by frustration; breathe through it.  Absorb the difference, and let it inform you. Your own opinion will come. It will be uncertain, hesitant, and entirely yours.

For more pictures of my time in Vietnam, click HERE.

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