Los Angeles

I Left My Heart in San Francisco

When people ask where I am from, I tell them, “San Francisco.” It’s a spiritual truth as much as a literal one. When I left the Bay Area at age nine, I truly left my heart behind, and when I graduated from college just over a decade later, the first thing I did was flee westward to the San Francisco of my dreams.

In the intervening years, San Francisco had grown some, but it was still, fundamentally, itself. It was a place where all possibilities were possible – from miner 49ers to flower children and beyond. It was a city filled with active neighborhoods and the activists who loved them; of spicy eucalyptus pods dropped along the park; a place of historical hangouts and the leftover hippies who still hung out in them, as fervent in the 90s as they’d been three decades before. A place of ocean and fog, of salt that floats out each morning and in each evening on a sweet wet wind, burned off and on by a bright but not-too-hot sun. It was the Golden Gate, the Bay-to-Breakers, Alcatraz and Angel Island and Marin in the distance. It was, of course, a city of hills – hills navigated slowly by original Beetles and VW vans with bumper stickers of dancing bears and, ‘CoExist,’ and ‘dog is my copilot,’ and the Darwin fish. It’s where garage doors rolled up on a Saturday, revealing one sale after another; where you could start a fight on the Muni by insisting your burrito place is best; where grown men rode skateboards, not scooters; and everyone was a politician of some sort because we were all devoted to our systems of belief.

01565b931e5962c9bb3194a22aa4505dd054230306

Like dancing bears, only San Francisco-ized.

It is by no means surprising that this city of free love and the Diggers and Bill Graham and the Grateful Dead and acid-dropping and Black Panthers (I’m appropriating Oakland here) and City Lights and Spec’s and Fillmore posters and the thriving Fillmore district replaced by the yuppie Fillmore street and motorcycles not bicycles outside Toronado and the TransAmerica building and hip-hatted Willie and Jerry Brown and Harvey Milk and Margo St. James and free speech and SDS not LDS – it is by no means surprising that this is the place where tech went boom. It was as inevitable as the fire of 1906. Only a place of such possibility would yield a creative mushroom cloud of such impact as to bust the city it dropped on.

Last month, I was home in San Francisco for a wedding. It had been a while since my city and I had reunited for more than a night or two, and it filled me with conflict, and an overwhelming nostalgia. San Francisco was, and remains, my one true urban love affair. I love its grungy streets and random murals, the sound of electric busses passing and the streetcar on a track. I love the beach in the fog and a grungy coffee house in the spring. I love those Eucalyptus trees, and triplexes of railroad flats. But San Francisco, my San Francisco, is gone.

San Francisco still has a funky attitude - one funky people can't afford.

San Francisco still has a funky attitude – one funky people can’t afford.

It’s hard to be a dreamer in San Francisco anymore. Dreams there are incredibly expensive. In the mid-90’s, I shared a three bedroom flat in the mission with two other women and we paid $1350 combined. We were two blocks off Dolores Park and surrounded by stores of used stuff, semi-functional laundromats, a couple sketchy-marts, and the 500 Club.

In that same neighborhood now, a one-bedroom costs upwards of $3000 per month, and our combined rent couldn’t even get you a studio (I’m not exaggerating). The sketchy-marts are now smoothie bars and hi-end independent organic grocers and farm-to-table restaurants with lines out the door. The 500 Club is still there, but I doubt the same is true of its Addams Family pinball machine, or the regulars who camped out on the same bar stools, night after nigh,t with a bartender who resembled Pinhead. Friends who grew up in the city by the bay, who are married with solid double-incomes have been priced out, and in their places have come a new generation of dot-com and start-up youth who think it’s normal for a martini to cost $15 and will never know the inside of a true dive bar.

The “go west, young man,” dream is in our national psyche, for better or worse. We leverage it to create a new beginning when the going has gotten too tough or the odds are never in our favor. But where do we go to start over when the start-over west goes bust?

When I was looking for a place to settle, I was frequently asked, “why don’t you go back to San Francisco? You love it there!” I struggled with an appropriate answer because what my heart was shouting was, “because my San Francisco is dead.” Meanwhile the Los Angeles of my memory was calling.

Since all of my fun Los Angeles memories take place on vacations, I figured I should come down from my temporary encampment in Washington State and check it out. I intentionally went to dinner during rush hour traffic, to see how bad it was (not fun, not horrendous). And then, while having lunch with a friend I’ve known since the sixth grade, the lightbulb turned on.

“LA is great,” he said. “I love it here because you can decide to do anything you want, and people will help you make it happen. Want to start a line of vegan baby clothes? Great, how can I help? I know a dude who went to Harvard and decided he really wanted to be a dog walker. Done. You just put it out there and work on it, and people are on your side.”

Now, granted these are ridiculously Californian examples, but the lightbulb went on: a place where all possibilities are possible. Not everyone’s dream will come true. But in LA, your dreams aren’t over before you find a place to lay your head.

My heart is still in San Francisco. It always will be. It remains the city that launched a thousand dreams – my own alone. It will always have its funk, its fog, its coffee and its political vibe. I will always want to be there, when the lights go down in the city and the sun shines on the bay (or when Journey is playing a concert). But I’m creating a life in the new San Francisco, a city with a vibrant history of its own, where museums are popping up amidst the bright lights of movie premiers and the dark corners that yield a crisis-launching number of homeless. We lack funding, and water, but we have enough palm trees and dreams for everyone. Come join us – we’ll help you make your dreams come true.

01576596f5c0882c850c5bb499ba05608bc90c9e90

Los Angeles

My Hello Happy Place

I’ve died and gone to my happy place, and it’s full of Hello Kitty.

I have loved Hello Kitty for as long as I can remember, and I blame my maternal uncle. Long ago, for a birthday or Christmas, he individually wrapped and gifted to me about 20 individual, adorable, itty bitty Hello Kitty toys. Tiny erasers, tiny stationery sets with tiny kitty and tiny flowers and tiny stickers to close the tiny envelopes around the tiny little itty bitty notecards. I’m talking a couple inches here, if that. There was a tiny colored pencil set in an itty bitty see-through envelope with a red snap closure and tiny decorations on it. There was a coin purse. There was a pencil case. There was just a bunch of red and white and black vinyl and kitty and joy, individually wrapped, and it stamped the glee of Hello Kitty on me for life, and left me with a disproportionate appreciation for stationery, pens, and sending mail.

This was the mid-70s, and Hello Kitty was younger than I, by two years. The founding principle of her character – a little gift with a big message of friendship – has stuck with me since then. My childhood love for her turned into a teenage nostalgia, a 20s appreciation that morphed into some form of girl-power in my 30s, at which time she experienced a huge, popular and pop-culture resurgence. I didn’t resurge until my 40s, at which time she may have jumped the shark (MAC cosmetics line, Beats by Dre, Swarovski bling, back off).

My active adoration for her continued unabated and public this entire time. In my 30s alone, I was gifted a hTequila_Servers.jpgello kitty Tote.jpgtoaster, which toasted the face of hello kitty, complete with bow, into a piece of bread, to make your morning more joyful; a tote bag, which I still feel is unparalleled by any other tote, and you can see I have loved part of its face off; a cell phone trinket, which dangles from my car’s rearview mirror; and juice glasses, which we use for tequila in my house, but that’s beside the point. This year, I turned 43 and a friend gave me this:

Birthday_Cup.jpg

It doesn’t stop there. A lifelong friend lived in Korea, then Japan, and bestowed upon me an endless stream of fantastic gifts that arrived in vague connection to Christmas and my birthday. The mouse pad next to me right now, barely larger than the mouse and in the shape of Kitty’s head; chopsticks; duct tape; something related to shoes that neither of us can figure out because all the package writing is in Japanese; origami paper; candy; food-like items I was eventually forced to discard because, due to my inability to understand Japanese, I could never figure out what they were.

So  imagine my relief, my first week in LA, slightly out of pace with the world and myself, trying to wrap my head around this ‘staying in one place’ concept, when I saw that the Hello! Exhibit – Exploring the Super Cute World of Hello Kitty – had just opened at the Japanese American National Museum downtown. If HK herself was here for a while as well, clearly LA was the right place for me. I vowed to get downtown as quickly as possible. On the red line, because I was determined to use public transport in LA.

I finally made it, in my car, six months later. And it was ever. So. Awesome.

Even without the big sign outside, you know you’re getting close to the Hello Kitty exhibit because people of all ages and orientations – male, female; Asian, Caucasian, African American, Latin – are wearing the ridiculous paper Hello Kitty crown you are given with your admission. Case in point: the first couple I happened upon the minute I walked into the exhibit: The_First_Couple.jpg

Where else would this man put on this crown? (I don’t know him, so maybe he wears Hello Kitty PJs to bed every night, but judging from his response when I asked to take their picture, I’m guessing not.) And yet EVERYONE was wearing them. Giant Polynesian dude? Wearing it. Two elderly women accompanying an even more elderly woman in a wheelchair? Wearing it.

Never_Too_Young.jpg

Me? Wearing it! Happily, but not well.

Wearing_It_Not_So_Well.jpg

The exhibit starts at the beginning: with a coin purse, a man, and the concept kawaii. The term can be translated as ‘cuteness,’ but is also related to the Japanese word for ‘pitiable,’ “suggesting a fundamental emotional basis of empathy and caring.” By using the English-language greeting with the character, the brand welcomes the customer as a friend and marks Hello Kitty as a global, social character. The original creator, Shintaro Tsuji, intentionally focused on items that “foster ‘social communication,’” which explains why so many of the early Hello Kitty paraphernalia was stationery-oriented. Also, Hello Kitty is a twin – who knew? Poor Mimmy must feel very much in her sister’s shadow – and her last name is White. And they live in London. Wait – what? They are very international. Also, Hello Kitty is not a cat.  I just have to leave that one alone.

Adolescence_of_Joy.jpgThe first half of the exhibit focuses entirely on the building of the brand, by displaying a growing family of branded items. Since I’d had the toaster, the small appliances came as little surprise. I’ll confess the motor oil, in a three quart can caught me by surprise, and the toilet paper just made me jealous. As did the sanitary napkins. I mean, what can make a period happier than HK tp and maxi pads? HK candy, I suppose.

This, however, blew my mind, and there was no description for it other than “mask.”

Mask.jpg

A glimpse of the inevitable fetishization of anything girl-plus-Asian appears with the hello kitty vibrator, which Sanrio assures is just a “massage wand,” (though even the exhibit plaque puts that in quotes). They assure the visitor it is, “designed to buzz away one’s troubles around the neck and shoulders with a quick flick of the switch. Ahhh!”

Buzz.jpg

The Hello Kitty Kiss dolls  are all in good humor and part of her resurgence as some sort of pop icon. Clearly, if HK is becoming a celebrity, she’s going to rub shoulders with the big (shoed) boys. And as those of us who grew up with her help Kiss_Kitty.jpgmorph her character into something we can still use as adults, she is bound to grow too (though the exhibit notes multiple time that Kitty’s birthday is November 1st, “but she never gets another year older!”). Hence, her inspiration of Japanese street fashion (always inspired)

Japanese_Street_Fashion.jpg or her appearance in the western fashion industry, with an entire slew of outfits featured on America’s Next Top Model.

As_Seen_On_TV.jpg

Then comes the art, which also walks the line between nostalgia, pop art, and fetish. How is this not a sexualized cross between cosplay and a blow up doll?. When did Kitty get boobs (she never ages…)?

Colin_Christian__Super_Space_Titan_Kitty.jpg

Dark but less sexual is this one, titled, “Uh Oh Kitty Ho.” I’m not sure that isn’t reproductive organs on her shirt.

D_Face__Uh_Oh_Kitty_Ho.jpg

She goes on a Life Aquatic-inspired ride with Paul Frank’s Julius and friends,

Paul_Frank__Hello_Kittys_Submarine_Ride.jpgmorphs onto Lincoln, Scott_Scheidly__Hello_Lincoln.jpgstorms Tokyo as Godzilla, . Mark_Nagata__Hello_Kitty_Kaiju.jpgimpersonates the Sphinx, Hello_Kitty_Sphinx.jpgand bursts into bloomMichael_Courville__Hello_Kitty_in_Bloom.jpg 

My favorite artwork, though, is Marc Dennis’s Allegory of Love. Nothing else sums up so perfectly what Kitty has provided to the women of my generation, who were introduced to her when we, and she, were young, and have relied on her to grow, change, express and nurture ourselves, while holding on to a simple, happy semblance of childhood to console or strengthen us when we need it. All of that is wrapped up in this image, which I stood in front of for quite some time, smiling…and wondering where I could buy that sweatshirt.

Marc_Dennis__Allegory_of_Love.jpg